Archive for November, 2006

Ergo Proxy DVD 1 review

Sunday, November 12th, 2006

for a change of pace I thought I would post this review on an anime that has a lot of hype amongst fans. check it out if you haven’t done so already:

Ergo Proxy DVD

Review:    
Ergo Proxy is the latest in a long tradition of twisty, dark, violent dramas like Serial Experiments LAIN, Texhnolyze, and Blame!, and it’s a fine addition to the genre. Beautifully animated and strikingly mature, Ergo Proxy is a top-shelf title that any high-minded sci-fi fan (or anyone into gothic mystery titles like Witch Hunter Robin) will probably enjoy.    

Normally, shows like these are a little difficult to really get into. The characters tend to speak in a monotone, most scenes take place in the dark or at night, and the storyline tends to be purposefully labyrinthine and confusing right off the bat. Ergo Proxy sticks pretty closely to a few of these principles, but surprisingly, even though the plot is assuredly complex, it’s not all that difficult to follow. The show has plenty of mysteries and we watch them all unfold along with Re-l, but it doesn’t seem as though it’s purposefully being scripted in a confusing way, which is very refreshing in a show of this pedigree. They don’t give you a whole lot of insight as to what’s really going on, but at least the plot isn’t incomprehensible.

So far, the chief storyline involves a hideous android beast that the government was doing top secret experiments on until it escaped; it’s now on the loose, terrorizing citizens and androids alike, and it seems to have it in for our heroine, Re-l (as well as another, equally ugly robo-beast thing). After a chilling encounter with the monster, Re-l starts investigating ‘Proxy’, against the wishes of her grandfather (and basically the entire government). A massive coverup ensues, and Re-l starts to doubt what she saw, but presses on anyway. It’s a pretty intriguing story so far and the fourth episode slows down a bit and allows us to examine the clues and events we’ve seen. You’re not going to know everything up front, but the show is structured like a mystery.

If the show has a failing, it’s in its characters. Ergo Proxy has a relatively small cast and the lead, Re-l (who looks almost exactly like the lead singer from Evanescence) is cursed with generic, detached personality. As the show goes on she becomes increasingly angry and paranoid but by and large, she isn’t a very sympathetic or relatable character, and since we spend most of the show following her around, it’s a bit of a problem. Raul Creed, the head of the Security bureau, shows a lot of potential, especially in his relationship to his surrogate android child Pino. Other than that, though, if the story doesn’t grip you, the characters aren’t going to help. It’s an unfortunate stain on an otherwise excellent series.

Some might criticize the show for being a little pretentious, and to be fair, it is, at least a little bit. There are a lot of references to famous thinkers and philosophers; “cogito”, the virus that’s spreading among the city’s androids that causes them to suddenly become self-aware and feel human emotion, is named after Descartes’ famous quote, cogito ergo sum, or “I think, therefore I am”. Make no mistake, though; this isn’t empty academic posturing, nor is it simply a load of shallow visual references intended to make the show appear smarter than it actually is. The references coded into the show’s artwork and dialogue directly relate to the themes and messages in the storyline; there is a clear attempt here to discuss the implications of a man-made construct becoming self-aware, and the academic references in the show are tied directly to that. Pretentious? Maybe, but it works.

The production values are great, so far. The first episode in particular boasts some spectacular animation, especially when the monster shows up. As the episodes progress, the animation gets a little less detailed and fluid, but it never dips into being outright poor. The backgrounds in particular are breathtakingly detailed and beautiful, which is a surprise given the bleak, dystopian surroundings. Thankfully, Geneon sprung for the rights to the show’s closing theme, Radiohead’s classic Paranoid Android. The rest of the music in the series is suitably grim-faced atmospheric stuff; nothing to write home about.

The dub, handled with care and grace by New Generation Pictures, is a fine fit for the show. The characters are, by and large, very well-cast, and the robot voices have a soothing synthesized sound to them that comes across as being very polished and professional. Karen Thompson handles the voice of Re-l pretty well, although she seems to struggle at times with line readings during the character’s (admittedly awkward and infrequent) emotional outbursts. ADR veteran Patrick Seitz (best known perhaps for the Kamichu! dub, which he directed, and his turn as Luke Valentine in both the Hellsing TV series and the upcoming OVA) handles the Raul Creed character with elegance, gracefully keeping up with the character’s emotional journey. So far, the dub is faithful to the Japanese dialogue; it might be your best bet if you’re interested in appreciating the show’s artistry rather than reading subtitles.

Ergo Proxy certainly isn’t for everyone. It’s a dark, brooding, slowly-paced sci-fi mystery with philosophical underpinnings; this is unquestionably an adult anime. People expecting nonstop robot fights will be disappointed, as will anyone who isn’t patient enough to stick with the storyline. Overall, though, this is a mature, engrossing series; it’s a nice break from the piles and piles of harem comedies and dating-sim shows the medium has become inundated with.

Source:AnimeNewsNetwork

Ru’s 9th annual Anime survey

Sunday, November 12th, 2006

What may be the Internet’s oldest anime fan survey, originally run exclusively on USENET, continues this year with the 9th edition. Maintainer of the survey, Ru Hiragashi, says, “Over the few years that I’ve been a fan, there has often been a question that popped up about some aspect of our interest in anime. To come up with some numerical answers, I have been posting a questionnaire in the rec.arts.anime Usenet newsgroup hierarchy since the late summer of 1997.” For more information abotu the survey go here. Addendum: The survey has moved here.

Dragon Ball Returns to American TV

Sunday, November 12th, 2006

Beginning Monday, Dragon Ball will return to American television on the CoLours TV network. The show will run Monday-Friday at 10 p.m. Eastern. Funimation will also run a six-hour Dragon Ball marathon on Thanksgiving Day on the CoLours network.

In December, Dragon Ball will become part of the Funimation Channel.

Blood the last Vampire live action update

Tuesday, November 7th, 2006

Production I.G agrees to Ronny Yu’s Blood live-action remake. Production I.G has announced that ‘Blood the Last Vampire,’ produced in 2000, will be made into a live action movie by company French Pathe. Production I.G has given it’s consent. Pathe will spend approximately 20 million Euro (US$25 million) on the production. With shooting scheduled
to start in January 2007, a worldwide theatrical release is expected in spring 2008.

The original movie won best animation at the 4th Japan Media Arts Festival and spawned a TV-series Blood+ produced from 2005 to 2006. Copyright holder Production I.G. gave it’s consent for a live action production by French Pathe through American video distributor Manga Entertainment.

Pathe is the largest independent film studio in France, producing movies, distributing them and managing their movie licenses. The movie will be produced by Bill Kong (Crouching Tiger, Hidden Dragon; Hero) and directed by Ronny Yu (Freddy vs. Jason). Ji-hyun Jun (My Sassy Girl, Windstruck) will star as lead Saya. The international production aims for a world wide audience.

Production I.G was not payed for the license, but will instead to receive royalties from all revenue created by the movie. Generally, when manga and
anime are adapted into live-action movies outside of Japan, remake rights are usually sold for a flat fee, which in the case of a hit, bars the original copyright holder of further revenue.

If the movie is a hit, this will lead to a sharp increase in revenue through ticket and dvd sales. Since the movie’s theatrical release is expected in spring 2008, impact on Production I.G’s profits is likely to be seen 2009 or later.

Production I.G has announced that ‘Blood the Last Vampire,’ produced in 2000, will be made into a live action movie by company French Pathe. Production I.G has given it’s consent. Pathe will spend approximately 20 million Euro (US$25 million) on the production. With shooting scheduledto start in January 2007, a worldwide theatrical release is expected in spring 2008.The original movie won best animation at the 4th Japan Media Arts Festival and spawned a TV-series ‘’ produced from 2005 to 2006. Copyright holder Production I.G. gave it’s consent for a live action production by French Pathe through American video distributor Manga Entertainment.Pathe is the largest independent film studio in France, producing movies, distributing them and managing their movie licenses. The movie will be produced by Bill Kong (Crouching Tiger, Hidden Dragon; Hero) and directed by Ronny Yu (Freddy vs. ). Ji-hyun Jun (, Windstruck) will star as lead Saya. The international production aims for a world wide audience.Production I.G was not payed for the license, but will instead to receive royalties from all revenue created by the movie. Generally, when manga andanime are adapted into live-action movies outside of Japan, remake rights are usually sold for a flat fee, which in the case of a hit, bars the original copyright holder of further revenue.If the movie is a hit, this will lead to a sharp increase in revenue through ticket and dvd sales. Since the movie’s theatrical release is expected in spring 2008, impact on Production I.G’s profits is likely to be seen 2009 or later.

Edit- the above links i copied do not seem to work  so here you go -http://www.animenewsnetwork.com/encyclopedia/anime.php?id=5088

Paprika considered for Oscar

Tuesday, November 7th, 2006


Paprika is one of sixteen films listed by the Academy of Motion Picture Arts and Sciences as “expected to compete” at the 79th Academy Awards. It will be eligible for nomination only if it will be screened in LA by the end of the year. Nominees will be announced January 23.

Ranma 1/2 wraps up next week

Tuesday, November 7th, 2006


Volume 36 of the Ranma 1/2 manga will be released next Tuesday. The series “has been a staple of the Viz Media catalog for over 14 years,” according to the company, “and remains one of the company’s longest running manga titles and one of the longest running manga series in North America.”

Media Blaster passes on Goddess season 2

Tuesday, November 7th, 2006


Media Blasters has confirmed to Anime News Network that it has passed on its option to acquire Aa Megami-sama: Sorezore no Tsubasa, the second season of Ah! My Goddess (TV). Source: Goddess Project

Death Note wins weekend box office

Tuesday, November 7th, 2006


Death Note: The Last Name topped the Japanese box office last weekend, pushing Kisarazu Cat’s Eye World Series and Flags of Our Fathers to second and third place. Meanwhile, Toho’s Nada SoSo fell to seventh place after five weeks in the top three. Source: Kogyo Tsushinsha

Claymore Anime

Wednesday, November 1st, 2006

According to Monthly Shonen Jump Magazine (not to be confused with Weekly Shonen Jump), Norihiro Yagi’s Claymore is to be adapted into an anime TV series. No details about when the Claymore TV series will debut. Claymore is currently being released in North America by Viz Media. Source: Animenation

Speed Racer movie a Go

Wednesday, November 1st, 2006

Wachowski Brothers Version of Speed Racer to Premiere Summer of 2008

Producer Joel Silver has stated that the long talked about Speed Racer movie has been given the green light and is expected to be released theatrically in summer, 2008.

Brothers Larry Wachowski and Andy Wachowski, creators and directors of the Matrix, have written the script and will direct the movie, with filming expected to take place in the summer of 2007. They will again work with special effects supervisor John Gaeta, who won an Oscar for his work on the Matrix. Speed Racer will be the first Wachowski directed movie since the Matrix trilogy, although they produced V for Vendetta.

Silver, who also worked with the Wachowskis on the Matrix, states that Speed Racer will be geared towards all audiences, “They wanted to do something that could appeal to everybody.” According to Silver the Wachowski brothers were hesitant to take on the Speed Racer project, which he pitched to them, and they wouldn’t agree to come on board until they could figure out a way to bring something original to the movie. “They are approaching these racing scenes in a way you’ve never seen before,” states Silver.

Previously Vince Vaughn wanted to make the movie and star as Racer X, in June it was reported that Vaughn was still on board to star as Racer X in the Wachowski directed movie.